el espinazo del diablo summary

A ten-year-old boy named Carlos, the son of a fallen Republican war hero, is left by his tutor in an orphanage in the middle of nowhere. Analysis Auteur Director, Guillermo del Toro with Pans Labyrinth character Fauno. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. It is no coincidence that Carlos and Jamie is both a fan of comics. Sinopsis: Trascurre el año 1939, recién finalizada la guerra civil. Also horror films have been labeled as a “body genre,” because it inflicts bodily reactions of fear. Another aspect that the film shares with the gothic sub-genre is the atmosphere of the film. They should have unfinished affairs of the heart or soul. Del Toro achieves this by using the chiaroscuro technique of lighting. In “The Devil’s Backbone” and “Pan’s Labyrinth,” he  focuses on the innocence of children, and the lead child characters in both films have interactions with the supernatural. One day, Carlos feels the presence of a ghost and soon he learns that he is the orphan Santi that is missing. Most gothic stories have the protagonist placed in an oppressive situation. It is very difficult to be sure what to expect. ( Log Out /  Set during the final week of the Spanish Civil War, the tale of a ten-year-old boy who, after his freedom-fighting father is killed, is sent to a haunted rural orphanage full of terrible secrets. The Devil's Backbone truly is a masterful film, one rife with both symbolism and story. He can do both art house and mainstream. Besides Catholic imagery of life and death in “The Devil’s Backbone,” del Toro based the ghost of Santi on the white-faced ghosts that has been seen in films like “The Ring.” Also being a fan of comics since childhood, del Toro based the story directly off of Carlos Gimenez’s “Paracuellos” comic series, which takes place in a Francoist orphanage. Set during the final week of the Spanish Civil War, the tale of a ten-year-old boy who, after his freedom-fighting father is killed, is sent to a haunted rural orphanage full of terrible secrets. Too many movies use them simply for shock value, as if they exist to take cues from the screenplay. Ghosts are more interesting when they have their reasons. Original title: El espinazo del diablo. Another aspect that the film shares with gothic narratives are the protagonists is emotionally or physically cut off. El espinazo del diablo es una película dirigida por Guillermo del Toro con Marisa Paredes, Eduardo Noriega, Federico Luppi, Fernando Tielve, Íñigo Garcés .... Año: 2001. ... Summary The most personal film by Guillermo del Toro is also among his most frightening and emotionally layered. Hybridity allows films to create a unique story that is not limited to the elements of the genre. Change ). | The road lies almost entirely over 2.000 meters above the sea level. This film takes on all of the gothic elements listed but only some from the horror genre. While this film and “Pan’s Labyrinth” are in a class it can be compared to films like Todd Browning’s “Dracula” and also Tim Burton’s “Sleepy Hollow.” Both of these films have gothic-horror elements to them. There is no final girl character. Bullies scheme, tempers flare, and a ghost that visits Carlos's bed seems to be the key to it all. Genre-wise his films are very hybrid in nature. | Find trailers, reviews, synopsis, awards and cast information for The Devil's Backbone (2001) - Guillermo del Toro on AllMovie - Guillermo del Toro, who quickly became one of the… There are very few scenes, which have a “jump” aspect and it is very different from some of the more infamous slasher horror films. Studying films. It was independently produced by Agustín Almodóvar as an international co-production between Spain and Mexico, and was filmed in Madrid. Responsibility ... Summary "What is a ghost? Carlos sees Santi several times and one day he learns the dark secret of his disappearance. The Spanish Civil war Red -republican Grey- nationalist Summary/Plot Bibliography Themes and Issue's The Devil’s Backbone But with Cronos and his other Spanish language film, El Espinazo del Diablo (The Devil’s Backbone, 2001), del Toro is able to inhabit another persona (as both director and writer) and create a markedly different kind of film that is all of Mexican, European (Spanish) and … After losing his father, 10-year-old Carlos arrives at the Santa Lucia School, which shelters orphans of the Republican militia and politicians, and is taken in by the steely headmistress, Carmen, and the kindly professor, Casares. Directed by Del Toro, this ghost story is set during the Spanish civil war and centres on a boy who arrives at a home for orphans in a remote part of Spain. | It is revealed that Santi was murdered by Jacinto when the boy discovered him trying to steal the gold. There is also a sense of fear and dread that the orphan boys are going through with the abuses that Jacinto inflicts and also with the orphanage being haunted by a ghost. An instant of pain, perhaps. In gothic stories like “Dracula” and “Frankenstein,” the story often takes place in an isolated location. He also locates the orphanage in the middle of nowhere to separate the characters from the Spanish Civil War going on around them, even though each of the characters are affected the war. This film completely ignores the rules of slasher horror films, which make up a majority of the semantics of the genre. An emotion suspended in time. It is for this reason, I argue that ghosts have remained such an unwavering supernatural presence in our earth and logic bound Western nature. Instead it allows the work to make on aspects from more than one genre. The Devil's Backbone is a film directed by Guillermo del Toro with Marisa Paredes, Eduardo Noriega, Federico Luppi, Fernando Tielve .... Year: 2001. In “The Devil’s Backbone” and his other films, he often relies on the aspect of the supernatural. The orphanage, which also serves as a school to the resident children, is home to several dozen other boys, as well as Carmen (Marisa Paredes), the world-weary headmistress with a prosthetic leg, Dr. Casares (Federico Luppi), the kind and intellectual assistant administrator, Alma (Berta Ojea), a teacher, Jacinto (Eduardo Noriega), a hired hand, and Conchita (Irene Visedo), Jacinto's fiancee and an employee of the institution. Idioma de la Película: Español . The devil's backbone El espinazo del Diablo (DVD) : The most personal film by Guillermo del Toro is also among his most frightening and emotionally layered. Dr. Casares and his wife Carmen run the orphanage and the former orphan Jacinto, who lives with the teacher Conchita, is responsible to take … It is 1939, the end of three years of bloody civil war in Spain, and General Franco's right-wing Nationalists are poised to defeat the left-wing Republican forces. For example in films like “The Texas Chainsaw Massacre” and “The Hills Have Eyes,” the violence usually occurs in an isolated location. For example both female characters (Conchita and Carmen) in the film, one virginal the other not, are both killed. SYNOPSIS: The Spanish Civil War is raging on. The Devil's Backbone is more sad than frightening. Soon after his arrival, Carlos has a run-in with the violent caretaker, Jacinto. –Examples: “Dracula,” “Frankenstein,” and anything Edgar Allen Poe. Instead he heavily uses shadows and darkness to show the scenes with Santi. Not long after Carlos' arrival, Santi latches onto Carlos, badgering him incessantly at night and gloomily intoning, "Many of you will die." It takes on aspects of the horror genre and gothic works. Both films have been labeled as horror films, but there are very little aspects to label it as horror. I argue that the child protagonists of these films have often been regarded as the mute victims or witnesses to the violence of the Spanish Civil War Much like del Toro’s next film “Pan’s Labyrinth,” the film reads like a childhood fairy-tale. Get this from a library! He has a bright future ahead. de Rebecca Blackburn y Taneshia Deckon Del Toro's other films include: CAST How they relate One of the main themes in the film is The spanish civil war. Guillermo del Toro is defiantly an auteur director. He based “The Devil’s Backbone” directly on his own experiences of being visited by the ghost of his dead uncle. A tragedy condemned to repeat itself time and again? Tamaño del archivo: 715 MB. Guillermo del Toro’s film “The Devil’s Backbone” is a perfect example of a genre-hybrid film. As if that wasn't enough to keep the orphanage's occupants in an unrelenting state of terror, there's the un-exploded bomb that dominates the orphanage's courtyard, still ticking away; With the orphanage left defenseless by its isolation, and the swift progression of Franco's troops, the ghost's prediction seems depressingly accurate. From an audience perspective it is very obvious when something scary might happen because of the lighting changes, which makes the horror not as extreme as some other horror films. –      Syntax: To play on the primal fears of the audience. El Espinazo del Diablo [videorecording] = The Devil's backbone. The orphanage is run by a curt but considerate headmistress named Carmen and a kindly Professor Casares, both of whom are sympathetic to the doomed Republican cause. Carmen, who is concerned about the expenses of caring for yet another boy, mentions the stash of gold bars she keeps in the building and how she would prefer to be rid of it, as she cannot buy anything with it in its current form, nor divulge its existence to any outsiders during this volatile wartime. El espinazo del diablo [videorecording] = The devil's backbone. Lighting and the chiaroscuro effect are used to show that Santi is about to appear. It is 1939, the end of three years of bloody civil war in Spain, and General Franco's right-wing Nationalists are poised to defeat the left-wing Republican forces. The Spanish Civil War is tearing the country apart. –Semantics: Romance, darkness, isolated location, supernatural, religion. Change ), You are commenting using your Google account. Despite their concern for him, and his gradual triumph over the usual schoolhouse bully, Carlos never feels completely comfortable in his new environment. Related names. While a horror film in nature, it takes on aspects of the subgenre of gothic-horror. Subjects. Nevertheless, with every step of the plot, it becomes apparent that the ghost's predictions as to who (or what) will die, the real source of danger and even the definition of death itself may be more ambiguous than first thought. The horror genre often contains murder, blood, supernatural elements, and its scenes often inflict a “jump reaction” by the audience. Critics have labeled Guillermo del Toro’s 2001 film “The Devil’s Backbone” a horror film. Santi was killed in a dark basement and it represents the more religious element of the underworld. Synopsis Título original: El Espinazo del Diablo. This makes the film “The Devil’s Backbone” a hybrid film. The only witness is another orphan Jamie (Inigo Garces) who bullies Carlos when he arrives, but the two become friends and they team up together with the ghost of Santi to take revenge on Jacinto when he wrecks havoc on the orphanage. In Guillermo del Toro’s 2001 gothic-horror film “The Devil’s Backbone” (El espinazo del diablo), Carlos (Fernando Tielve), whose father recently died in the Spanish Civil War (1936-1939), is taken to an orphanage run by an older couple, a doctor Casares (Federico Luppi) and Carmen (Marisa Paredes), who support the rebels during the war. Espinazo del Diablo (The Devil's Backbone) is a famous mountain road in Mexico. Audience Reviews for The Devil's Backbone (El Espinazo del diablo) Apr 14, 2014. A ten-year-old boy named Carlos, the son of a fallen Republican war hero, is left by his tutor in an orphanage in the middle of nowhere. After his father dies in combat during the last months of the Spanish Civil War, young Carlos (Fernando Tielve) is brought to an isolated orphanage in 1939. Taglines Dr. Casares and his wife Carmen run the orphanage and the former orphan Jacinto, who lives with the teacher Conchita, is responsible to take care and for the maintenance of the place. ( Log Out /  Shifting to horror, this chapter deals with how the civil war is represented by the Mexican-born filmmaker, Guillermo del Toro, concentrating particularly on El espinazo del Diablo/The Devil's Backbone, presenting a ghost story set in the civil war's closing months, and … This is a poetic piece of cinema that manages to expose the horrors of war through the lens of fantasy. Del Toro (only 36) is a rising young director and is not afraid to push the horror genre into new and surprising directions. The only POV shot that occurs is when the bomb falls on the orphanage, and the camera follows the bomb. Here I will compare and contrast the semantics and syntax of each of these genres: –      Semantics: Blood, weapons, knives, sex, screaming, supernatural elements, darkness, and horror rules. Having grown up Catholic and grew up with fairy tales most of his life del Toro has had an obsession with monsters, ghosts, and other fairy-tale aspects. The Devil's backbone El Espinazo del Diablo (DVD) : "Twelve-year-old Carlos is the latest arrival to Santa Lucia School, an imposing stone building that shelters the orphans of the Republican militia and politicians during the last days of the Spanish Civil War. Second, and more inexplicable, is the presence of a ghost, one of the former occupants of the orphanage named Santi. Garrido, Inma, 2001. During the Spanish Civil War, the twelve year-old boy Carlos is left behind by his family in an orphanage in the middle of nowhere. The tone on the other hand adds a lighter horror feel. El Espinazo del Diablo : The Devil's backbone Augustín y Pedro Almodóvar presentan ; una producción El Deseo S.A., Tequila Gang ; con la participación de Sogepaq S.A., Canal+España y Anhelo Producciones ; guión, Guillermo del Toro, Antonio Trashorras, David Muñoz ; productores, Augustín Almodóvar, Bertha Navarro ; dirección, Guillermo del Toro. Guillermo del Toro has created a new type of horror film with“The Devil’s Backbone” and “Pan’s Labyrinth,” which are very similar both in narrative and structure. ‘Guillermo del Toro y el rodaje de su filme “El espinazo del diablo”’, 26 August: 24. Contributor: Rose, James. Calidad de la película: DVDRip. Título original: El espinazo del diablo. This represents the underworld. El espinazo del diablo The devil's backbone (DVD) : The most personal film by Guillermo del Toro is also among his most frightening and emotionally layered. Formato: avi Another aspect of gothic literature is the location. Synopsis: It is 1939, the end of three years of bloody civil war in Spain, and General Franco's right-wing Nationalists are poised to defeat the left-wing Republican forces. In this case the orphanage is cut off from the rest of the world and is far away from the local town, and the Spanish Civil War itself is rarely seen. The Devil's Backbone (Spanish: El espinazo del diablo) is a 2001 gothic horror film directed by Guillermo del Toro, and written by del Toro, David Muñoz, and Antonio Trashorras. It is also noted that most of the scenes with Santi take place where he was murdered, which is in a basement. First of all, there was that initial encounter with the orphanage's nasty caretaker, Jacinto, who reacts even more violently when anyone is caught looking around a particular storage room the one with the deep well. Jacinto is an ambitious and violent man and has a love affair with Carmen trying to steal the key of the safe where Dr. Casares and his wife hide the gold that is used to support the Republican forces. In Guillermo del Toro’s 2001 gothic-horror film “The Devil’s Backbone” (El espinazo del diablo), Carlos (Fernando Tielve), whose father recently died in the Spanish Civil War (1936-1939), is taken to an orphanage run by an older couple, a doctor Casares (Federico Luppi) and Carmen (Marisa Paredes), who support the rebels during the war. –Syntax: Follows the main protagonist’s psychological response when they are in an oppressive situation. Something dead which still seems to be alive. Fantasy and gothic aspects occur in both “Pan’s Labyrinth” and “The Devil’s Backbone.”. Change ), You are commenting using your Facebook account. The Devil's Backbone is notable for a number of reasons. Devil's backbone (Motion picture) Series. While it does share some characteristics with the horror genre, it also takes aspects from the horror sub-genre of gothic works. After Carlos - a 12-year-old whose father has died in the Spanish Civil War - arrives at an ominous boys' orphanage, he discovers the school is haunted and has many dark secrets which he must uncover. This idea has also been adopted by the horror genre. Most of the film is dark and there is very little light especially during the scenes where Santi is shown. This shows that the war is not central to the story. –      Examples: “Friday the 13th,” “Carrie,” and “Scream.”. Fair use rationale for Image:El Espinazo del Diablo (poster).jpg Image:El Espinazo del Diablo (poster).jpg is being used on this article. Carlos with the jar babies who have “The Devil’s Backbone”. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in Wikipedia articles constitutes fair use. When Carlos arrives he begins to have nightly visitations from the ghost of a young boy Santi (Junio Valverde) who went missing when a bomb landed but did not explode at the orphanage. El espinazo del diablo = Devil's backbone. Summary This thesis reassesses the actions of the child protagonists in El laberinto del fauno / Pan’s Labyrinth (del Toro 2006) and El espinazo del diablo /The Devil’s Backbone (del Toro 2001). The orphanage is ran by an older couple who are also helped out by a young male groundskeeper and a young female teacher who appears to be involved with the groundskeeper. Formal aspects of “The Devil’s Backbone” include its iconography and tone. In terms of the setting of the film, del Toro uses a very simplistic design for the poor orphanage. While del Toro’s film contains many elements the film itself is not particularly scary. ( Log Out /  The tensions therein have been building for years, exacerbated by the unexploded bomb resting menacingly in the courtyard. El Espinazo del Diablo pertenece a la carretera Federal 40, una de las más largas del país, con casi 1.200 kilómetros de longitud y que une la costa Pacífica Mexicana con el Golfo de México.El tramo se sitúa en el kilómetro 168 de dicha carretera y ocupa una porción de tan solo 10 kilómetros, donde se puede apreciar el maravilloso espectáculo de la Sierra Madre Occidental.
While a horror film in nature, it takes on aspects of the subgenre of gothic-horror. More supernatural effects are reaffirmed with Santi’s (Junio Valverde) ghostly appearance and the location of where Jacinto killed him. ( Log Out /  The character of Jamie is especially emotionally disconnected from witnessing the murder of his friend Santi and he often distances himself from the other orphans by bullying. Plot Keywords One major aspect that “The Devil’s Backbone” does not share with the horror genre is the use of point-of-view (POV) shots. No other POV shots occur with the characters themselves. Storyline. El espinazo del diablo (DVD) : During the Spanish Civil War, young Carlos is abandoned at a completely isolated orphanage. Secretly they are hiding gold for the rebels, which the grounds keeper Jacinto (Eduardo Noriega) is trying to steal. Change ), You are commenting using your Twitter account. Having been familiar with “Pan’s Labyrinth” I thoroughly enjoyed this film, but I felt that del Toro lacked more of the magical aspect and the Christian themes in this film. Carlos is bullied by the strong boy Jaime, who is the leader of the other boys. Parents Guide. But del Toro’s films have a unique narrative that can transcend many different sub-genres. In this case Carlos is held in an isolated orphanage and is forced to handle the threats from Jacinto. Such examples besides this film include “Sleepy Hollow” and “Dracula.” The narrative of  “The Devil’s Backbone” in particular takes on gothic elements. Likewise, The Devil's Backbone (or El Espinazo del Diablo as it is known in Spanish-speaking territories) both stylistically, and in terms of story, has nothing in common with the director's English-language work. Carlos, un niño de diez años, llega a un orfanato que acoge a huérfanos de víctimas republicanas. I was disappointed by the physical design of Santi’s ghost and it wasn’t as elaborate as some of the magical characters that have been seen in del Toro’s “Pan’s Labyrinth” and “Hellboy.” But this may be due to the film premiering during his art-house says before his big-budget Hollywood films “Hellboy” and “Blade II.”. The iconography that the film shares with the horror genre includes an isolated setting, Carmen’s (Marisa Paredes) missing limb blood, the dead fetus’ in a jar, and weapon props like Jacinto’s (Eduardo Noriega) gun and Jamie’s (Inigo Garces) knife. Summary "Having experienced considerable difficulties whilst directing his first Hollywood studio film, Mimic (1997), writer-director Guillermo del Toro returned to a treatment he had written in his final year at film school. 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